Ceramics are one of the oldest and most-fundamental art forms around. Ceramics are used for everything from eating and drinking to celebrating birth, marriage or even death. Many people believe that ceramics contain social DNA and reveal about the taste and habits of a nation. This three-part series explores the history of the art form in Britain, beginning in Tudor times, and traces the evolution of different techniques and styles used in the art of pottery. The programme also explores key figures who helped put British ceramics on the map and revolutionised the industry.
Ended
Ceramics A Fragile History
October 10, 2011
October 24, 2011
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3
English
Towards the end of the 19th century, a group of craftsmen decided to break the monopoly of the great ceramic factories. Studio pottery was born, a movement that celebrated traditional artisanship and decorative flair over the monotony of the production line. Through practitioners like William De Morgan, Bernard Leach and William Staite Murray, studio pottery was soon recognised as a powerful and uniquely British contribution to the story of modern art, drawing disciples from all over Europe. In the second half of the 20th century, female ceramicists like Lucie Rie and Alison Britton re-energised the movement. The programme ends with portraits of Grayson Perry and Edmund de Waal, two of the greatest potters working anywhere in the world today.
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