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    Fragments pour un film imaginaire

    Fantasy
    History

    A variation on paroptic vision (the ability to see with the skin, without the aid of the eyes), telepathy, colour theory and the theremin. The various sequences introduce the hypothesis of an imaginary cinema. The film is presented as a series of rushes, suggesting an unfinished film in progress.

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    Stefano Miraglia

    Noah Teichner

    Isabelle Cornaro

    Boris Monneau

    Albane Geminet

    Bénédicte La Capria

    Emmanuelle Gary

    Assistant Director of Photography

    Éva Sehet

    Director of Photography

    Érik Bullot

    Director

    Marc Parazon

    Sound

    Arnaud Deshayes

    Assistant Art Director

    Arnaud Deshayes

    Editor

    Julia Mingo

    Color Grading

    Frédéric Chopin

    Music

    François Sales

    Music

    Mikaël Barre

    Mixing Engineer